Project Type: Projects
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Cuirteca
CUIRTECA is a living archive of Latin American queer cinema. The project began three years ago through the research developed for a workshop on the history of Latin American queer cinema, presented as part of the Vierte Welle Film Festival in Berlin. It also grew out of my curatorial work within the festival, a process…
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The Feminist Blanket
ENFeminist Resistance Blanket This family blanket is a tapestry of memories, care, and collective struggles. Based on photographs of demonstrations taken by the artist in Buenos Aires and Berlin, the work comes to life through violet-toned cyanotype printing and meticulous hand embroidery. The piece reflects the connections between Latin American feminist movements across geographical borders.…
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VWFF 5 – Latin Pride 2025
Latinx Pride 2025 was a film programme curated by Gabriela Gioia for the Vierte Welle Film Festival in Berlin. Presented across two days, it brought together a selection of seven short films from Argentina, Mexico, Colombia, Paraguay, Brazil, and Chile, as well as a screening of the Peruvian feature film Retablo. The programme did not…
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Feminist Film Criticism: Deconstructing the Gaze
Feminist Film Criticism: Deconstructing the Gaze was a workshop facilitated by Gabriela Gioia at the SUSI Frauenzentrum in Berlin in May 2025. The project aimed to develop a critical perspective on the audiovisual images and narratives we consume and produce. Through the analysis of texts, videos, and images by feminist theorists and filmmakers, participants reflected…
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My Environment Empowers Me
Every space, every corner is full of textures, colors and secrets, and has its own magic that generates inspiration, creativity and expression. In this photographic project, I enter the workspaces of migrant artists who have found a place to realize their dreams in this city. But beyond the images, I also want to give a…
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Stamps of female film directors
In 2018, I designed a series of stamps honoring feminist film directors, particularly those whose work has deeply inspired me. These directors, such as Lucrecia Martel and Agnès Varda, are my cinematic pillars—my guiding figures. They represent the filmmakers I aspire to become, and through their work, they have shaped my vision of cinema. For…
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Ciclo Chonflex
Here’s an improved version of your text: During the pandemic, several students from IDAC, where I studied film direction, faced challenges in getting our short films seen. To address this, we collaborated to create a film series that also highlighted the specialties of the public school, an iconic institution in Buenos Aires with over 40…
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Pandora
Here’s an improved version of your text: In 2020, I studied art direction at ECA, where I had the opportunity to resize a work of art through intermediality during my internship. I chose Pandora by William-Adolphe Bouguereau, created in 1880, which depicts the myth of Pandora opening the box that unleashed the world’s evils. Amid…
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Notes & Lines
During the pandemic I dared to try being on the other side of the camera, the self-portrait as a way of self-discovery. Today the self-portrait is often confused with the selfie, but they are very different. The selfie is an impulsive and ephemeral act of the moment, while the self-portrait takes time for composition and…
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1st festival of schools of film with a gender perspective
Here’s an improved version of your text: In my final year at IDAC (Avellaneda, Buenos Aires), following the creation of the Gender Commission, we organized a festival to showcase films by students from Argentine film schools with a gender perspective. With a feminist and queer focus, our goal was to highlight the first short films…
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